Vineeth Sreenivasan usually presents Malayalees with good films. So is he a hero or a director. Beautiful is no different. The movie ‘Manoharam’ is the story of a countryside and some of its good people.
Manoharan is a great artist. Excellence in painting. Everyone relied heavily on writing the board and writing the board. But with the rise of technology, Manoharan’s artistry has been unable to hold on. With everyone going after the Flex boards, the lovely man decides to study Photoshop and start a Flex Printing shop. The film presents the challenges he faces.
The first half focuses on Establish the character of Manoharan. Beginning with a new venture, with the support of some lovely friends who are capable of doing bad things. But there he is, unfortunately. But the positives outweigh the negatives. The little jokes and the beauty of a Palakkad countryside add to the excitement of the first half.
The film moves away from what the audience expects in the second half. The story changes to a way that anyone can sympathize with the beautiful. It seems like it might get out of hand, but in the end the movie ends well. Manohar’s life is full of negatives.
Vineeth Sreenivasan, who had been caught in the middle of a string of Freud’s fictional characters, has now returned to his safe zone. Vineeth made the innocent man beautiful. Basil Joseph, Deepak Parambol and Indrans have all done great roles. Director Anwar Sadiq has made a fine film.
Beautiful as the name is; Vineeth is a beautiful movie that the average audience can watch without much fanfare or big buzz
